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Dissertation zugänglich unter
URN: urn:nbn:de:gbv:18-45561
URL: http://ediss.sub.uni-hamburg.de/volltexte/2010/4556/


Die Gesangtechnik des Beltings - eine Studie über Atemdruck, Lungenvolumen und Atembewegungen

Hein, Monika

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 Dokument 1.pdf (7.993 KB) 


Freie Schlagwörter (Deutsch): Gesangstechnik , Musicalgesang , Belting , Subglottischer Druck , Atemdruck , Atembewegungen , Lungenvolumen , Atmung
Freie Schlagwörter (Englisch): Belting , Subglottal Pressure , Lung Volume , Breathing , Musical Theatre
Basisklassifikation: 24.65 , 24.55 , 24.61 , 24.01 , 24.04 , 24.90
Institut: Sprach-, Literatur- und Medienwissenschaften
DDC-Sachgruppe: Musik
Dokumentart: Dissertation
Hauptberichter: Pétursson, Magnús (Prof. Dr.)
Sprache: Deutsch
Tag der mündlichen Prüfung: 15.06.2009
Erstellungsjahr: 2010
Publikationsdatum: 24.03.2010
Kurzfassung auf Englisch: Subglottal pressure, lung volume and breathing movements in Belting and Legit

Belting is a term commonly used for a loud, shouting-like singing voice
quality frequently used in Broadway shows. Yet, there is still confusion
amongst vocal coaches, when it comes to a definition of „Belting“,
presumably because of a lack of understanding of its physiological
characteristics.
The aim of this study was to find out whether or not the belting style is
associated with some particular breathing patterns. Subglottal pressure,
captured as the oral pressure during the occlusion for the consonant /p/,
lung volumes and breathing movements, captured by Respitrace ©, were
analysed in five professional musical theatre singers, all performing
belting on stage at the time of the experiment. They performed a series of
vocal tasks both in belting and in the non-belting style commonly referred
to as “legit”, being a more lyrical, almost classical style, which is also
commonly used in musical theatre performances. A listening test was
performed in which a panel of professional experts were asked to classify
single tones as either belting or legit. The results showed that the tones
that the panel most unanimously classified as belting were produced (1)
with higher subglottal pressures, (2) with higher lung volumes both in the
initiation and the termination of phrases, and (3) with slightly lower air
consumption than tones produced in the legit style. On the other hand the
singers produce belting with different breathing strategies and breathing
behaviours.

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